On making a mess

I saw this photo of Obama’s speech and was inspired.

The following is from Writing Your Dissertation in Fifteen Minutes a Day, pages 33-34:

“How does one really begin to write? William G. Perry Jr. has described the process succinctly: ‘First you have to make a mess, then you clean it up.’ If you think about the implications of this statement, you quickly realize that how you write is up for grabs: no more neat outlines with Roman numerals to follow, no elegant topic sentences for each paragraph, maybe not even any clear sense of where you’re going.”

I use that idea when I teach writing courses. I believe it applies any type of writing. Once people accept the premise, it frees the writer to do what is needed. To write something.

Clearly Obama knows this. I’m glad to know that someone still uses a pen. And that the person “running the country” cares about what he says enough to make a mess.

Obama: The candor and poetry of not (yet) being a president

As I consider Barack Obama’s book, Dreams from My Father, which we are discussing in a class I’m teaching at Antioch University McGregor, a couple overarching things tug at me. I am going to try to leave current politics, approval ratings, and Nobel peace prizes out of this.

The first thing: Throughout, Obama writes with such candor. Having been elected president four years after the 2004 edition was published, I find it fascinating to read his thoughtful and (I assume) unvarnished critique of the power centers, and the role of president and government. The type of openness Obama presents in these pages is blankly missing in the speech and rhetoric of so many politicians. When he first wrote this book, before 1995, he couldn’t have dreamed how his life would unfold. Something in that is refreshing.

The second thing: There is a poet in the White House. In some ways, Obama seems like a frustrated poet, but so much of his writing is pure poetry, too much to note here. One that sticks out: the end of the passage on p. 315, talking about a waiter in Kenya:

“And so he straddles two worlds, uncertain in each, always off balance, playing whichever game staves off the bottomless poverty, careful to let his anger vent itself only on those in the same condition.
A voice says to him yes, changes have come, the old ways lie broken, and you must find a way as fast as you can to feed your belly and stop the white man from laughing at you.
A voice says no, you will sooner burn the earth to the ground.”

The flow, and construction, to me, it’s simply poetry.

I keep thinking back to a speech I saw on C-SPAN when Obama was first running for president, where he talked about the importance of various subjects in school… “And poetry,” he added. At that moment, my husband (who is also a writer) and I agreed, “He’ll never get elected.” And yet…

In this book, his poetry is in his words, and his focus, the corners where he chooses to shine a light. So often, the book reads like a novel. So I keep thinking: what are the implications for us creative people, many of whom have spent careers feeling marginalized and invisible, to have someone who understands doing the job of the president?