Fiebre Tropical by Julián Delgado Lopera

Front cover of Fiebre Tropical by Julian Dalgado Lopera

Fiebre Tropical by Julián Delgado Lopera is amazing. You should read it. Whether you read Spanish or not, the lyric and poetry is resonant…the flow within these pages is so beautiful and real and incredible. The story, the characters, the narrator’s beautiful voice. All of it. Please read this book.

Here are some gems, completely out of context but to show you how gorgeous it is:

p. 144: “How desperate had she become? Nobody in the family wanted to dive deep into her desperation. No one wanted to remember. But if you watched Myriam close for years, you could almost peel the amnesia off her skin, like an onion, layer by layer, until you reached a yellowing coat wrapping her body like a mummy, and here’s where she had stored her gray bitten-down nails, here’s where she stored bruised knees, numb heart, deadly popsicles. She must have been frenetic, manic, sleepless. So hopeless, almost no light shone inside her.”

p. 204: “Alba crawled around the house, close to the floor, recoiling every time she saw men’s shoes, plugging into the dirt, swimming deep in the soil, deeper into the soil, watching some of the horse’s bones go by, skeletons of children, a lost shoe, emeralds gleaming cutting piece from her arms that quickly regrew, she swayed from side to side with her mouth open, eating fresh dirt, swallowing fresh dirt, bathing in its misty coolness.”

p. 252: “I needed a perfect place to smoke the cigarette in peace. I walked past the pool, chasing the disgusting ducks with red balls on their beaks. Patos desgraciados, inmundos asquerosos. What the fuck happened there, Nature?”

p. 272: “We smoked and smoked and smoked so many cigarettes that by eight p.m. I was made entirely of smoke, bones of smoke, skin of smoke, curls of smoke, if someone had blown on me I would have disappeared.”

Black Wave by Michelle Tea

Black Wave by Michelle TeaThis book. So beautiful. A delectable collision of intelligent prose with the viscera. So visceral, and so smart—the sentences hold an intelligence beyond any I can think of, even, in a way, beyond Didion’s. But the sentences aren’t overly smart in a told-you-so kinda way. They’re smart in a way that has faith, more faith than most sentences have, in the reader. The book, the story, is so dark and so light. It’s a gift, really.

Black Wave was my first encounter with the work of Michelle Tea, and I can’t wait to read more of her work. For now, all I can do is urge you to read Black Wave—knowing that it’s written for adults, and has a lot of very specific, intense detail about sex and drugs—and today I offer this passage.

Michelle Tea, Black Wave, p. 151:

“Where did your own story end and other people’s begin? Michelle wrestled with this question. After her first book came out she’d been invited to give some lectures and teach some workshops, and always the people who came were females, females who wanted to tell their stories. Their stories being female stories, there was a lot of hurt inside them—abuse, betrayals, injustices, feelings. They were all worried about getting in trouble for writing the truth. They didn’t want people to be mad at them. It’s Your Story, Michelle would insist.

She wanted to free them all, all the girl writers. Girls needed to tell the truth about what the fuck was going on in this world. It was bad. It was brave of the girls to let themselves stay so raw, though Michelle worried that some of them had had to conjure personality disorders in order to cope. Sometimes the girls were too much even for her, Michelle wondered if she could handle another piece of writing about sexual abuse or sex work. But it seemed that this was to be her job upon the earth. If you don’t tell your story, who will? It was important. Our stories are important.”

**

Read the whole book and you’ll understand its uplift.