Short story accepted!

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Art by Yaroslav Gerzhedovich. Design by Vince Haig. For more about this cover, go here!

I’m thrilled to announce that my short story “Curb Day” was accepted for Shadows and Tall Trees 7, forthcoming from Undertow Publications. It’s particularly exciting to me because, as I blogged here, in writing this piece, I adapted a process from Lynda Barry‘s process…and it was such fun to dig through compost from last spring’s embryonic essay about junk week and turn it into a story. I’m grateful to Michael Kelly at Undertow for accepting the results. Shadows and Tall Trees 7 will be available in March 2017.

Weird day (official)

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(When I woke up, I knew today felt weird…now I recall why.)
It’s the official release day for Year’s Best Weird Fiction, vol. 3. Thanks again to Michael Kelly and Simon Strantzas for including my story in this shimmering anthology! Check it out here.

Where to break things

I have been thinking in a very gestural and unscientific way about how poems, short stories, and novels are similar and different, both for reader and writer.

Something comes to mind about pacing, tempo, and where to break things.

When working on a novel, finding the right chapter break is crucial. It’s also important to think about where to end paragraphs. Is the question of where to end paragraphs even more important in writing short stories? And decisions about line breaks, even in the very occasional poems I’m working on, seem similarly intuitive and challenging.

I am not claiming that sentences, or words, are not crucial in novels. But there does seem to be a point of comparison among the forms, with the question of chapters, paragraphs, and lines, and where to break them.

Now the question is: how to end this post?